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Series 3

This series demonstrated Ansei Uchima's continued evolution of his abstract woodblock printmaking, marked by a greater emphasis on fluidity and spatial ambiguity. His works from this period often featured soft, overlapping shapes and delicate tonal variations, creating compositions that felt both organic and atmospheric. Uchima’s use of negative space and layered color washes conveyed a sense of quiet movement, reminiscent of shifting landscapes or changing light. This period reflected his deepening engagement with modernist abstraction while maintaining the influence of traditional Japanese aesthetics, resulting in prints that were both serene and dynamic.

Song of the Seashore (1959)

Song of the Seashore

1959

Pause Allegro

1959

Pause Allegro (1959)
In Memoriam (1960)

In Memoriam

1960

Katsu

1960

Katsu (1960)
Prelude to Winter (1960)

Prelude to Winter

1960

Tranquil Garden

1960

Tranquil Garden (1960)
Early Summer Rain (1961)

Early Summer Rain

1961

Frosty Morn

1962

Frosty Morn (1962)
Spring Mist (1962)

Spring Mist

1962

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