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Series 4

In this series, Ansei Uchima saw a further refinement of his abstract style, with an increased focus on fluid compositions and subtle, atmospheric textures. His woodblock prints from this period often featured layered, translucent forms that suggested natural landscapes or shifting light, blending traditional Japanese sensibilities with modern abstraction. Uchima experimented with softer color palettes and gestural mark-making, creating works that felt both spontaneous and deeply meditative. This period solidified his mastery of space, texture, and movement, positioning him as a key figure in contemporary printmaking who bridged Eastern and Western artistic traditions.

Descending Moon (1963)

Descending Moon

1963

Evening Calm

1963

Evening Calm (1963)
Tranquil Rain (1963)

Tranquil Rain

1963

Winter Visa

1963

Winter Vista (1963)
Rain in the Mountains (1963)

Rain in the Mountains

1963

Misty Morn

1964​

Misty Morn (1964)
Temple Garden (1964)

Temple Garden

1964

Reflections in Rain

1965

Reflections in Rain (1965)
Spring Breeze (1965)

Spring Breeze

1965

Eve Poem

1966

Eve Poem (1966)
Ripening (1966)

Ripening

1966

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